When I last posted I had this vision that a heap of things were going to be done by now. I was going to be finished the Junketsu and I was going to have worn it triumphantly at PAX. I was going to be churning out shirts and skirts and things for summer. I was going to have finished all the performance dresses that I stupidly started right before comps and concerts. Hell, at one point I even thought I would make a gown.
Haha, NOPE. It’s a crazy story.
So I entered the New Zealand Aria the night before entries closed. Then I realised that it was on at the same time as PAX so there was no point finishing the Junketsu (wrong, but we’ll get to that in a minute). Then I cut out two Man Repeller-inspired ruffled shirts for My Wardrobe S/S 16, but sewing the pleather for my Attack on Titan cosplay had killed the tension wheel on my Janome and it went off to be serviced. Two weeks of waiting for it to come back and consoling myself with fan art later…
I tend to only ship characters with musical instruments.
…I should have done all the finishing on the fuchsia performance dress then, but stupidly I chose to binge on Noragami instead. Then I did an audition for Opera Australia in Sydney. Then I got a callback, so I had to cancel on New Zealand SO THE MORAL OF THAT STORY IS IF I’D JUST FINISHED THE DAMN JUNKETSU I COULD HAVE GONE TO PAX ANYWAY. I was sad and happy and confused so then I entered the Diamond Valley Eisteddfod (again the night before the damn thing. Noticing a pattern?). I hand-hemmed the fuchsia dress at the venue on the day, and then I won the aria section. Then I found out I had the job with OA. Then I didn’t sleep for about 48 hours. Now I’m doing weird random procrastinatey sewing things instead of finishing the summer clothes that I know I’ll need up north.
Like how I suddenly decided that the arm and pocket badges on my AoT jacket look wrong and need to be fixed. The method I’m using now (just appliqueing on a big general wing-shaped cut-out and then zig-zagging the lines on over the top) is a lot quicker and easier than the first method I used, and I think it reads better too.
Way better, right?
I’ve started on one of the summer shirts, but I’m currently baulking at the buttonholes because my machine is still a bit hit-and-miss with buttonholes. It’s just the frumpster shirt pattern with the sleeves cut in further, and a ruffle on a strip of bias binding added over the top.
If it looks like it’s spent the week scrunched up in a corner, that’s because it has.
The Junketsu has now been hemmed. Behold it in its shortness if you dare, along with my best attempt at a faux-fringe (which really just ended up looking kind of vintage. Oh well. Satsuki’s kind of a pin-up anyway). I ordered a wig online yesterday, taking my chances with a random cosplay wig shop on AliExpress. The shipping times are so variable that I just put in the address as my parent’s place in case it takes a month and I’ve moved out of the sharehouse, so Mum, if you get a very long blue wig in the post please don’t get a shock.
As if getting a wig in the post could be any more shocking than the length of that skirt.
I have decided I’ll attach the sailor collar with snaps, but the ones I have in my stash are tiny, so I’ll zip out to somewhere and get bigger ones. I’ve glued I-don’t-know-what-you-call-thems on the boards. They’re the bits that you pass epaulettes through to button the boards on.
They don’t look very nice because I glued them on and used Fray-Block to finish the edges.
I will add epaulettes to the Junketsu and then the boards can button or snap on. I was worried that the boards were too big, but even just pinned on they look really good. The scarf tie things are another story though. I’ll take them off and make them smaller and pointier.
With both boards in dynamic pre-transformation pose
I’ve also ordered the white stretch-PVC for the boots, and I’ll put them together on my friend’s serger, because I really don’t want to be servicing my poor old machine twice in as many months, and comparing my sewing machine to Sergei the serger is like comparing an elderly lady who’s still ok walking the dog with some kind of super hardcore Russian SAS person with muscles on their muscles. Then I’ll get a pair of op-shop heels and glue them over the top. The PVC was a bit expensive, but there’s really only one place in Australia that had it and I only need a metre for my scrawny pins so it’s not that bad.
Then the only thing will be the sword, Bankuze. It’s basically a big white katana with a fancy cross-bar (no idea what you call that part on a katana, and behold my apparent inability to google it). The internet has many which are expensive, not super great-looking and of dubious customs-passability. I’m contemplating how hard it would be to make a passable Bankuze-like-object out of cardboard or papier mache or plastic or something. Satsuki doesn’t even usually bother to unsheathe it unless she’s fighting Ryuko anyhow.