Envy is probably my go-to sin. Apart from posting on Good Friday. That’s probably a sin too.
Anyway. I have a roaring case of robe a l’Anglaise envy. I’ve just had two days of a delightful virus (pretty much all of Lent crammed into two days of dizzy, nauseous, achey-painy starvation, with my Dad helpfully informing me on the phone that I wouldn’t actually starve to death for another six days.), so I fed my eyes instead with lots of piccies of robes a l’Anglaise. I want an excuse and or occasion that is both solid enough to withstand Catholic guilt and yet doesn’t cause me to hyperventilate over a silly self-imposed deadline. My handsewing is like a French bulldog: sturdy, but not fast or pretty. (Though having said that, I rather like French bulldogs. They have cute scrunchy faces.)
Mmm…. stripy goodness… Loving the crisp silk twill! Feeling it wants a sash.
Love the back point and the puffiliciousness… also the not-quite-perfect stripe-matching. It’s like some ancestor of mine was at work!
Always always ALWAYS love a contrast petticoat!
All above images from LACMA. SO GOOD.
I also particularly love American Duchess’s Revolution Dress.
I have a feeling this is going to be a terrible addiction.
Now, if I can justify stays I can sort of justify a robe, and I can justify stays because Mozart. Mozart is the cornerstone of just about everybody’s repertoire, and most houses still like to go with period costume for Mozart (because people like it, so money), so I feel like it’s a safe bet that one day, somewhere, I will be singing Zerlina or Despina or Susanna or Blonde or the Countess or (fingers crossed!) Fiordiligi dressed a la late 18th Century (SQUEE), and so I would like to have my own comfy stays to sing in. Having worn other people’s corsets before I can safely say that off-the-rack really doesn’t work out with my odd measurements in a comfy way, and I know that in the great cableties vs spring steel debate I prefer cableties. Spring steel is great if you have some assets there to squish, but yeah. Total lack of squishability.
I finished the toile last week, and, like everything else I’ve ever made, they are Mysteriously Too Big. WHERE DOES THE EXTRA WIDTH APPEAR? I took a good two inches off a tight bust measurement and a good inch and a half off the waist before I even patterned, and somehow they still manage to close easily and I can feel oodles of room in the damn things. I followed all the rules! I basted on the seam lines! I whipped and butted them closed like a good seamstress (only messier)! I need to curve the side seams more, but there’s so much to take off the bust that it’s going to mean some interesting adjustments. I took a good 2cm out of the CB seam last night and it fixed the waist but not the bust. So I think this means taking it apart, adjusting everything and re-seaming. Whoopee. At least I didn’t run into armscye issues. I never seem to have armscye issues. Thank the Lord.
Stay toile ahoy.
Arg stay toile fitteth not. I know it looks like it does, but that’s just my ass going for contrast.
Hopefully the acquisition of some kind of dressform will help with draping the robe. I looked into it last year when my mother offered to get me one for my birthday, and found that, like everything else, they don’t exist in my size. I could probably get a child’s one and pad the hips out, but it wouldn’t be long enough in the waist, which is one of my main fitting issues anyway, so purpose defeated. I’m starting to think that if I sew up a very sturdy version of my tried-n-true princess seam block in upholstery fabric and stuffed it very tightly that it might approximate well enough? Should be just like re-stuffing a chair. I have some upholstery fabric lying around from the UMSU Theatre garage sale… Maybe today. I’m feeling I need it for my second load of envy:
Here are my sketches. Ignore the hand-shadow.
The Bottega Veneta dress envy. Tucked in a secluded corner of this month’s Vogue is the inspiration for my Fabric Store silk-cotton ikat dress. The colour and the detailing aren’t what got me (peach silk with what looks like the reflector tape on my cycling vest, only with studs…) but the cut is perfect. It’s a good big picture, nice and uncluttered; just four of the models hanging out backstage and thankfully the one in my dress isn’t holding a bag and is towards the front so I can see the details of the dress. Thanks, anonymous model! So helpful! The print of my fabric will provide some visual interest to make up for the lack of studs and applied contrast… it’s the skirt patterning that’s bugging me though. I think they’re crisp knife-pleats that’ve been tacked under the contrast strips, but how I pattern that sleek but relaxed shape for someone of my distinctly un-runway-model-like waist-to-hip ratio boggles my tiny soprano mind. I’m not sure how to proceed. Here’s my pattern so far, but the skirt is a bit too mega-flare:
It’s like the ’70s. Oh dear.